As with any creative profession, being a writer comes the risk of rejection. A good writer is accepting of criticism, and honest enough to admit that their writing might not always reach the required standard. This week, however, I was brutally kicked to the curb after sending an article for publication to a website. The worst part is that the person who did it quite possibly got a sexual thrill from it.
I can accept criticism. Honest. But the woman I was emailing about this article was just on a power trip. After I emailed her asking about freelance opportunities, she requested examples of writing. She said my blog wasn't a very good example as it was different to writing articles, so I sent her a few other things I'd written. She came back to me with, "some are good and some of these aren't up to our standard in all honesty. I'd like you to have a go at writing a short test feature."
Now, what annoyed me was that the "not up to our standard" comment was completely unnecessary. She gave me a chance anyway, so why did she feel the need to make that remark? My guess is that she just wanted to feel like she had a slither of purpose to her life.
As the conversation continued, she became increasingly blunt. I apologetically explained that I haven't been freelancing for that long so I don't have a great deal of work to show her that I'm really proud of, yet. She ignored this and replied as laconically as possible. I sent her my article a week later and she said: "I'm afraid this isn't the standard we're looking for".
Taking criticism is a great attribute to have - it may not be my strong point but I promise I'm not picking faults just because I'm bitter.
So here's my mediocre, not-up-to-standards article. The brief was: 'Statistics
show that people borrow more crime fiction and ‘chick lit’ from their local
libraries than so-called good literature? So are all books created equal? And
what constitutes ‘good reading?’ I'll let them off with the misplaced question mark, because I'm a nice human being.
How do you
classify 'good' reading?
People
borrow more crime fiction and chick lit from local libraries than so-called
literature. According to the
Romantic
Novelists’ Association (RNA) - romance is the most popular genre of fiction.
This genre, however, is widely
criticised. Critics say that crime and chick lit books follow a simple formula,
and once you’ve read one you’ve read
them all. If that’s the case – why are these books so popular? And what
constitutes ‘good’ reading?
The best
books that I’ve read are the ones I’ve taken to the cinema and read until the
lights have dimmed and walked
around supermarkets with them in my hand. The greatest stories seep through my
consciousness and become
intermingled with my own reality – I find myself thinking about the characters
as if they are real.
A good book
helps to change the way you think about things. It taps into an emotion,
provides escapism and makes you
feel an indescribable comfort. It allows you to recognise streaks of your
personality in the characters you’re
reading about and taps into thoughts that you previously thought were only your
own. A good book is subjective,
it’s personal. How can we criticise a genre that has this effect on so many
people?
Celebrated,
classic writers, such as Hemingway and Tolstoy, are poles apart from modern
writers. The
disparities
in lifestyle and culture are palpable in what they have written. It is almost,
therefore, questionable as to whether
they are comparable.
One of the
best books I’ve ever read was by John Steinbeck. It wasn't the story that struck
a nerve, though
– the
writing was just astonishing. I’ve grown up without reading any great classics,
or the words of any
perceptively
‘classic’ writers. Now I’m grown up, I’m bingeing on them. But that doesn’t
mean I prefer them, or feel that I
get more from them.
The John
Steinbeck book that I read altered my breath, it dried my mouth out a little. This reaction, however,
was due to the fact that I want to be a writer – so I’m hyper-conscious of
everything I read. For those reading
just for pleasure, however, modern writers have a lot going for them. Jon
Ronson, to give one example, is a modern
writer. His self-effacing, honest way of writing is unique, and he sits
somewhere in-between classic and
simple-formula crime.
I treasure
books – and whilst I may not read crime or romance novels, I don’t always just
stick to classic writers, either. If
you take one thing from a good book, it’s that the world is a majestic place,
and the most interesting of stories
come from unexpected places that are uncovered without preconception. Anyone
who exclusively reads
classic books – books that you feel proud to get out in public to show off – won’t grasp the ultimate
reason behind the existence of books – to open your mind and learn new things.
This
mindset reminds me of a famous quote, said by P.J. O'Rourke – “always read
something that will make
you look
good if you die in the middle of it.” I wonder if book-snobbish people go home
to a James Patterson stashed
under their pillows that they hurriedly devour in case they do die and, god
forbid, someone realises what they’ve
been reading. A good read
is in the eye of the reader – and no writer worth his salt would encourage
snobbery when it comes to books.